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The Bell Jar


Synopsis


'A modern classic.' Guardian

'A near-perfect work of art.' Joyce Carol Oates

Sylvia Plath is a major cultural icon who continues to inspire new generations of female readers. The Bell Jar is one of the defining novels of the 20th century.

I was supposed to be having the time of my life . . .

Working as an intern for a New York fashion magazine in the summer of 1953, Esther Greenwood is on the brink of her future. Yet she is also on the edge of a darkness that makes her world increasingly unreal. Esther's vision of the world shimmers and shifts: day-to-day living in the sultry city, her crazed men-friends, the hot dinner dances . . .

The Bell Jar, Sylvia Plath's only novel, is partially based on Plath's own life. It has been celebrated for its darkly funny and razor sharp portrait of 1950s society, and has sold millions of copies worldwide.

ONE OF THE BBC'S '100 NOVELS THAT SHAPED OUR WORLD'

'As clear and readable as it is witty and disturbing.' New York Times Book Review

Reader responses:


'Very readable, often darkly funny, and feels fresh.'

'Plath's masterpiece . . . It's amazing how relevant this book still is.'

'So enthralling . . . So thought provoking, so vivid, that it's thoroughly engrossing.'

'I just couldn't put it down.'

'Ever better than I expected.'


'Plath's underrated humour shines through this startling account of 1950s 'normality'.'

Summary



The Bell Jar is a novel by Sylvia Plath, published in 1963, under the pen name of Victoria Lucas. It is considered a semi-autobiographical fiction work about Plath’s depression and struggles for identity during the 1950s. The novel is narrated by protagonist Esther Greenwood as she moves from college student in Massachusetts to a short stint at a magazine in New York City. Throughout her journey, Esther’s mental health deteriorates and she tries to cope not only with her inner demons but with the expectations of society and the hunger for her success as a woman.

Chapter 1 opens with Esther Greenwood arriving in New York City to work for a prominent women’s magazine. Esther is both excited and apprehensive about her life in the city. She tries to enjoy her trips to the fashion shows, but instead she starts to feel overwhelmed and lost in the bright lights and bustling city streets. Esther retreats more and more into herself, and her acknowledgment of her depression is the first indicator of the “bell jar” which hangs over Esther's head and the novel for the remainder of the story.

In Chapter 2, Esther goes to the strangest tea-party ever. She is a guest at a wealthy aunt's house and introduced to a variety of oddities including a "dry lake." Esther tries to act as if she just has her wits about her in order to impress the other guests, however, Esther feels increasingly out of her depth and she struggles to feel connected to the conversations and her surroundings. However, despite her internal turmoil, Esther does make connections with the other guests, who all appear to be over-the-top versions of themselves.

When Chapter 3 begins, Esther has returned to her home in Massachusetts and is quickly beginning to unravel. Despite promising her mother she would find a job, Esther spends her days in bed, rarely seeing her old college friends, and instead of employment, she is reading Divorce in Massachusetts suggesting how marriage might not be the right option for her. She also spends a lot of time reflecting on her own thoughts and feelings towards the dominant women’s culture of the time.

The novel’s turning point comes in Chapter 4, Esther’s eyes are drawn to a display of electric appliances and she experiences the fear of being electrocuted in her bed. This experience pushes Esther into a deep despair and she decides to seek help from a psychiatrist. After an initial evaluation, Esther is admitted to a mental hospital in Massachusetts.

The theme of Chapter 5 is recovery and Esther is slowly making progress with the help of Dr. Gordon. Esther discovers that talking about her problems is therapeutic and how a lot of her hurt is coming from the societal pressures she faces as a woman.

The novel comes full circle in Chapter 6 when Esther wakes up feeling reborn. She is leaving the hospital and is finally in a better mental state. Her awakening is further emphasized when she drives through the countryside and has an epiphany that she has no need to jump into a “bell jar” ever again. She also starts to develop a plan for the future and tentatively makes plans to start a new life.

Epilogue brings closure to the novel as Esther has managed to turn a new leaf and move on with her life. The novel ends with Esther crossing the English Channel to start a new journey to London, and it is suggested that she is on her path to finding her true identity.

The Bell Jar is a powerful and haunting novel that provides insight into how depression and societal pressures can affect an individual. It is a timeless story about identity, coming of age and the importance of self-discovery and self-confidence.