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Making Master Guitars


Synopsis


Making Master Guitars is a craftsman's handbook about the exciting and challenging pursuit of making classical guitars, a craft that the author reveals to be surprisingly accessible by following his instructions. The book is unique in that it includes nine separate detailed plans of instruments constructed by internationally famous guitar-makers. The author has had the rare opportunity of examining these instruments in detail, and has made many replicas of each one. Superbly illustrated by Adrian Lucas. Part one: The Master Makers and their Guitars is devoted to separate chapters on each famous maker, including Antonio de Torres, Hermann Hauser, Santos Hernandez y Aguado, Ignacio Fleta, Robert Bouchet, Daniel Friederich and Jose Romanillos. The reader will find historical information about the life of and influences on each makers, as well as detailed sets of working drawings for their guitars. Also included are rare photographs of the guitars. Part two: Workshop, Tools and Materials provides essential information about the tools, working environment and material needed by the guitar-maker. Part three: Guitar Construction - The Spanish Method comprises a step-by-step method of guitar construction, illustrated by numerous photographs and drawings. The method of making a guitar is presented with great clarity. So that even the newcomer to this fascinating craft will be able to produce a superb instrument. This book will be essential for the guitar-maker and the historian, providing as it does a unique record of the different methods of guitar design and strutting systems that have evolved since Antonio de Torres first defined the essential characteristics of the modern classical guitar in the 1850s.

Roy Courtnall, Adrian Lucas

Summary

Chapter 1: The Materials of the Master

This chapter explores the fundamental materials used in master guitar making, including various tonewoods, their tonal characteristics, and their suitability for different guitar styles.

* Example: Brazilian rosewood is a highly prized tonewood for its warm, mellow sound, making it ideal for classical guitars.

Chapter 2: The Tools of the Master

The chapter delves into the specialized tools and techniques used by master guitar makers, ranging from hand-carved archtop templates to precision jigs for cutting and shaping.

* Example: A custom-made luthier's chisel allows for precise and delicate carving of guitar bodies and necks.

Chapter 3: The Art of Shaping

This chapter focuses on the techniques used to create the distinctive shapes and curves of a master guitar, including bending, gluing, and carving.

* Example: Bending wood using a steambox enables the creation of arched back and top plates, essential for a resonant and balanced sound.

Chapter 4: The Neck and Fretboard

The chapter covers the construction and detailing of the guitar neck and fretboard, emphasizing the importance of proper shaping, bracing, and fretting.

* Example: A radiused ebony fretboard enhances playability and provides a comfortable playing surface for fretting and chording.

Chapter 5: The Bracing and Soundboard

This chapter examines the intricate systems of bracing and soundboards that give a guitar its unique acoustic properties.

* Example: A lattice bracing pattern provides greater support and resonance to the spruce soundboard of an acoustic guitar, resulting in a loud and clear tone.

Chapter 6: The Finishing Touches

The final chapter describes the meticulous finishing techniques that complete a master guitar, including sanding, sealing, and polishing.

* Example: A French polish creates a natural and durable finish that enhances the wood's beauty and protects it from wear and tear.

Real-World Example: The C.F. Martin D-28

The book concludes with a detailed case study of the renowned C.F. Martin D-28 acoustic guitar. This iconic instrument exemplifies the principles and techniques discussed throughout the book.

* Materials: Sitka spruce top, mahogany body and neck, ebony fretboard and bridge.
* Construction: X-braced soundboard, dovetail neck joint, intricate fretwork.
* Sound: Warm, resonant, and articulate, making it a versatile choice for various musical styles.