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Improve Your Sight-Reading! Cello Grades 4-5


Synopsis


Does the thought of sight-reading make you groan? The ability to sight-read fluently is a vital skill, enabling you to learn new pieces more quickly and play with other musicians. The best-selling Improve Your Sight-reading! series, by renowned educationalist Paul Harris, is designed to help you overcome all your sight-reading problems, especially in the context of graded exams.

Step by step you build up a complete picture of each piece, firstly through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally 'going solo' with a series of meticulously graded sight-reading pieces.

New edition, devised to support the revised sight-reading criteria from the ABRSM from 2012.
 

Summary

Chapter 1: Rhythm Basics

* Focuses on understanding note and rest durations, as well as simple rhythms.
* Example: Sight-reading exercise with whole notes, half notes, quarter notes, and rests in a 4/4 time signature.

Chapter 2: Simple Melodies

* Introduces melodic notation, including intervals, notes on the staff, and fingerings.
* Example: Sight-reading exercise with a simple ascending melody (e.g., G, A, B, C, D), focusing on finger placement and intonation.

Chapter 3: Reading Ledger Lines

* Explains how to read notes above and below the staff using ledger lines.
* Example: Sight-reading exercise that includes notes on ledger lines (e.g., G below the staff, A above the staff), reinforcing note recognition and fingerings.

Chapter 4: Rhythmic Variation

* Explores more complex rhythms, including syncopation, dotted rhythms, and triplets.
* Example: Sight-reading exercise with a rhythm that includes a dotted quarter note, eighth-note triplets, and syncopated accents, developing rhythmic accuracy.

Chapter 5: Major and Minor Scales

* Introduces the major and minor scales, providing fingerings and patterns.
* Example: Sight-reading exercise that uses a simple major or minor scale, reinforcing scale knowledge and finger coordination.

Chapter 6: Sight-Reading in Different Keys

* Explains how to read music in keys other than C major, including transposing fingerings.
* Example: Sight-reading exercise in the key of G major, developing familiarity with fingerings in different keys and transposing abilities.

Chapter 7: Dynamic Markings

* Introduces dynamic markings (e.g., forte, piano, crescendo, decrescendo) and their effect on playing volume.
* Example: Sight-reading exercise with dynamic markings, teaching students to interpret and respond to dynamic changes.

Chapter 8: Articulation and Slurs

* Explores articulation (e.g., legato, staccato, portato) and slur markings, which indicate how to play notes smoothly or separately.
* Example: Sight-reading exercise that incorporates various articulations, developing articulation technique and phrasing skills.

Chapter 9: Sight-Reading Strategies

* Provides practical tips and strategies for improving sight-reading accuracy and fluency.
* Example: Strategies include scanning the music ahead, preparatory fingerings, and using a metronome to maintain a steady tempo.

Chapter 10: Advanced Sight-Reading

* Addresses more advanced sight-reading challenges, such as complex rhythms, key changes, and polyrhythms.
* Example: Sight-reading exercise featuring a polyrhythm (e.g., 3 against 4), developing rhythmic coordination and multitasking abilities.