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Bernini


Synopsis


Sculptor, architect, painter, playwright, and scenographer, Gian Lorenzo Bernini (1598-1680) was the last of the great universal artistic geniuses of early modern Italy, placed by both contemporaries and posterity in the same exalted company as Leonardo, Raphael, and Michelangelo. And his artistic vision remains palpably present today, through the countless statues, fountains, and buildings that transformed Rome into the Baroque theater that continues to enthrall tourists today.
It is perhaps not surprising that this artist who defined the Baroque should have a personal life that itself was, well, baroque. As Franco Mormando's dazzling biography reveals, Bernini was a man driven by many passions, possessed of an explosive temper and a hearty sex drive, and he lived a life as dramatic as any of his creations. Drawing on archival sources, letters, diaries, and-with a suitable skepticism-a hagiographic account written by Bernini's son (who portrays his father as a paragon of virtue and piety), Mormando leads us through Bernini's many feuds and love affairs, scandals and sins. He sets Bernini's raucous life against a vivid backdrop of Baroque Rome, bustling and wealthy, and peopled by churchmen and bureaucrats, popes and politicians, schemes and secrets.
The result is a seductively readable biography, stuffed with stories and teeming with life-as wild and unforgettable as Bernini's art. No one who has been bewitched by the Baroque should miss it.

Summary

Chapter 1: The Early Years

* Bernini's birth in Naples in 1598 into a family of artists.
* His precocious talent and early training under his father, Pietro.
* Example: The Pietà at the Church of Santa Maria della Misericordia in Naples.

Chapter 2: Arrival in Rome

* Bernini's move to Rome in 1605 and his entry into the sculptor's workshop of Annibale Carracci.
* His rapid rise to prominence through commissions from influential patrons.
* Example: The Fountain of the Triton in Piazza Barberini.

Chapter 3: Architectural Masterpieces

* Bernini's emergence as a leading architect, designing churches and palaces.
* His innovative use of space, light, and movement.
* Example: The Baldacchino in St. Peter's Basilica.

Chapter 4: Sculpting the Baroque

* Bernini's distinctive style in sculpture, characterized by intense emotion, dramatic gestures, and technical virtuosity.
* His ability to capture the nuances of human expression.
* Example: The Ecstasy of Saint Teresa in Santa Maria della Vittoria.

Chapter 5: Papal Patronage

* Bernini's close relationship with Pope Urban VIII, who commissioned numerous works from him.
* His involvement in the renovation of St. Peter's Basilica and the construction of the Trevi Fountain.
* Example: The statue of Urban VIII in St. Peter's Square.

Chapter 6: The Roman Fountains

* Bernini's transformation of Rome into the "City of Fountains."
* His innovative designs and incorporation of water into his sculptures.
* Example: The Fontana di Trevi.

Chapter 7: The Later Years

* Bernini's continued success and influence after the death of Urban VIII.
* His work for Pope Alexander VII and Cardinal Scipione Borghese.
* Example: The Bernini Chapel in the Church of Sant'Andrea al Quirinale.

Chapter 8: Bernini's Legacy

* Bernini's impact on Baroque art and architecture.
* His influence on subsequent generations of artists.
* His lasting legacy as one of the greatest artists of all time.

Example:

Chapter 2: Arrival in Rome

Bernini's early patrons included Cardinal Scipione Borghese, who commissioned several sculptures from him. One notable example is the "Apollo and Daphne" statue. In this marble masterpiece, Bernini captures the moment when the nymph Daphne transforms into a laurel tree to escape the amorous pursuit of the god Apollo. The sculpture's dynamic composition, flowing lines, and intricate details showcase Bernini's exceptional talent and the beauty of the Baroque style.